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Let me break it down for you: she’s writing herself into existence. She’s giving herself a part to play because, God knows, no one else will and she wants to matter in this life. As far as I can tell, it’s working. I went straight to iTunes and bought her new release “Born To Die” in toto (how often do I do that??) because it was more than a collection of songs or a performance, it was a phenomenon. Maybe all the more so because she’s not overwhelmingly talented. The minute I hear the whisperings of “how dare she,” I’m interested. I don’t have to like it, it doesn’t have to be worthy.
Lana Del Rey seems to be bothering everybody because she allegedly “remade” herself from a folk singing, girl-next-door type into an electro-urban kitty cat on the prowl (of course I like her), and they feel she is inauthentic. I would argue that the uncomfortable feelings she elicits are simply the by-product of watching a woman wanting and taking like a man.

Can you picture our society, “one nation under The Goddess, indivisible… etc.?” If the president was always a woman and all the senators, judges and key business leaders were all female? Picture being forced to talk endlessly about your feelings and listen and care when what you needed was just to get something done. Doesn’t that sound shity? Tiresome? Oppressive?
Yeah, I know the feeling
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Lana Del Rey really needs to duke it out with M.I.A. and Katy Perry, Lady Gaga and Kim Gordon, The Ting Tings and Tegan and Sara. That’s where she’s relevant. It’s our sh–. You wouldn’t understand.
So how does Liz Phair feel about Lana Del Rey? Well, as a recording artist, I’ve been hated, I’ve been ridiculed, and conversely, hailed as the second coming. All that matters in the end is that I’ve been heard.
From the Wall Street Journal